Starring: Dan Snow , Peter Snow
Directed by: Mary Cranitch , Ian Lilley
Produced by: Mary Cranitch , Ian Lilley
History comes alive in this epic series depicting eight decisive battles that determined Britain’s destiny.
Item Number: 13379
War Walks: Bosworth - Professor Richard Holmes traces the history of Henry Tudor’s defeat of King Richard III in 1485
Historical Timeline
Presenter Biographies
History comes alive in this epic series
depicting eight decisive battles that determined Britain's destiny—
from Boudicca's Revolt in 61 A.D. to WWII's Battle of Britain.
Through groundbreaking computer graphics and historical
dramatizations, the father and son team of
Peter and Dan Snow vividly recreate each
clash, giving you a first-hand experience
about what it must have been like to ride,
march, fly or sail into war.
Includes the Episodes:
Episode 1- Boudicca's Revolt 61 AD
Episode 2- Hastings 1066AD
Episode 3- Battle for Wales 1403AD
Episode 4- Spanish Armada 1588AD
Episode 5- Naseby 1645AD
Episode 6- The Boyne 1690AD
Episode 7- Culloden 1746AD
Episode 8- Battle of Britain 1940AD
Boudicca - Father-and-son team Peter and Dan Snow use ground-breaking graphics to bring alive the epic stories of battles that
shaped the nation, in this major new series. Battlefield Britain journeys through 2,000 years of invasion, civil war and
rebellion, opening with the momentous uprising led by Queen Boudicca against Roman rule in Britain.
In a first for British television, the trail of destruction wreaked by Boudicca’s followers on Roman towns, and scenes
of the final showdown, are recreated using technology that is usually the preserve of Hollywood. Peter Snow draws
on his personal passion for military history and computer imagery to give a unique overview of the battle of wits
fought between Boudicca and the Roman governor Suetonius Paulinus.
Dan Snow, a 25-year-old military historian, tells the stories of the soldiers, many of whom would have been his age.
He also joins the London Wasps rugby team to experience what it would have been like for Boudicca’s warriors as
they clashed with the Roman army.
The story begins in 60AD when a brutal assault on Boudicca and her daughters turned the queen into a rebel leader.
It was perfect timing - much of the Roman army was in Anglesey, carrying out a slaughter of the Druids. Boudicca
marched her entire tribe and their neighbours on the centre of Roman rule, Colchester, which was torched. London
was next; it, too, burnt to the ground.
The final confrontation between the two armies took place somewhere north of St Albans. The exact location is a
matter of debate but Peter and Dan investigate the most recent suggestion: an area near the village of Paulerspury.
Peter uses the remarkable computer graphics to show the Romans’ predicament – outnumbered 10 to one, it was
only their discipline, tactics and the cunning choice of battlefield by Suetonius Paulinus that swung the battle in their
favour. One account estimates that 80,000 Britons were slaughtered. The battle was to be the last serious threat to
Roman supremacy in over 400 years of occupation.
Battle of Hastings - The Battlefield Britain action moves forward a thousand years to the Battle of Hastings, a true clash of the Titans:
William the Bastard, Duke of Normandy versus Harold, the Saxon King of England. It’s one of the best-known conflicts
ever to have taken place on British soil but will be seen here as never before. The powerful combination of
extraordinary computer imagery and the compelling story-telling of father and son team, Peter and Dan Snow, reveal
the epic scale of this historic struggle.
Peter uses the latest 3D graphics to trace the turbulent events of 1066. Dan gives the soldiers’ perspective and joins
the Metropolitan Police Public Order Unit to experience the crush of a shield wall – the Saxon army’s favoured tactic.
The story starts in January of 1066. Following the death of King Edward the Confessor, Harold seized control of
England.The move enraged William who saw himself as the rightful holder of the crown. He immediately prepared
an army to invade. Harold readied his troops along the south coast but as he awaited the onslaught from across the
Channel another came from an entirely unexpected direction:Vikings had landed in Yorkshire. Harold rushed his army
to Stamford Bridge and successfully fought off the Norse invaders, but this was precisely the moment William made
his move.The Norman army was in England and heading towards Hastings.
What followed was a battle for the survival of Anglo-Saxon rule in this country but, in one of the most famous
incidents of British history, Harold was killed when an arrow struck him in the eye.The Saxon defence crumpled and
Norman rule in Britain was assured.The consequences of this were far-reaching – it brought about a change of ruling
class, dynasty, language and culture.
The Battle for Wales - Battlefield Britain journeys to Wales and the great battle for Welsh sovereignty fought by Owain Glyndwr against
Henry IV.The latest computer-generated imagery brings the action to life while presenters Peter and Dan Snow get
to grips with the detail.
By 1400,Wales had been ruled by English kings for over a century. Laws dictated where in Wales the Welsh could
live, what jobs they could have, even who they could marry. Then in 1400, a Welsh nobleman, Owain Glyndwr, had
land seized from him by a neighbouring English Lord. This prompted the outraged Glyndwr to lead a rebellion of
independence against English rule that raged for over 10 years.
Peter and Dan trace the path of the rebellion, starting with the dramatic defeat of the English on the phenomenally
steep slopes of Pilleth.They describe how the battle of Shrewsbury – scene of the biggest clash between longbowmen
ever seen on British soil – deprived Glyndwr of a powerful ally; and how, in a little-known moment of history, the
Welsh invaded England.This final showdown, outside Worcester, brought any hope of Welsh independence to an end.
Glyndwr’s rebellion would be the last ever attempt by a Welsh army to rid Wales of English rule.
Together, the Snows try out the weapon of mass destruction of the day – the longbow – and experience for
themselves how Glyndwr used the rough terrain of the Welsh borders to outwit his enemies, King Henry IV and his
son Prince Hal.
The Battle Against the Spanish Armada - Battlefield Britain turns its attention to the sea and the struggle against the Spanish Armada, one of the most famous
naval battles in Britain’s history. Spectacular graphics bring the action to life, whilst presenters Peter and Dan Snow
take to boats themselves to tell this astonishing story.
In the summer of 1588, a vast Spanish invasion fleet – an armada – sailed up the English Channel. England braced
itself against invasion by the greatest superpower the world had ever seen. Peter and Dan use cutting-edge graphics
to trace the series of ferocious sea battles that took place over the 11 days that followed, from the first famous conflict
off Plymouth to the final showdown off Gravelines, on the coast of northern France.
Both experienced sailors, the presenters demonstrate the different tactics the two sides used and how the English
managed to fend off the much bigger, more heavily armed ships of the Armada. They discover for themselves why,
despite hitting their mark, the English guns failed to sink many Spanish ships.
Led by the Duke of Medina Sidonia, representative of the fiercely catholic Spanish King Philip II, the Spaniards planned
to sweep Elizabeth, the heretic Queen of England, from the throne.All that stood in their way was a ragtag navy lead
by the Elizabeth’s cousin, Admiral Lord Howard, and the nation’s favourite pirate, Francis Drake. Drake’s seamanship
was key but, in the end, tenacity, good luck and terrible weather also contributed to this famous English victory.The
Spanish Armada was a broken force and the seeds of English naval supremacy, and the British Empire, were sown.
The Battle of Naseby - The drama of the English Civil War is brought to life using spectacular computer graphics, with presenters Peter and
Dan Snow getting to grips with the detail.
By 1645, the British Isles had been torn apart by fighting between the Royalists, in support of Charles I and his Divine
Right to rule the country as he wished; and the Parliamentarians, unified in their belief that the King should serve the
country in the best interests of the people.
Peter sets the scene with the battle of Newbury. Here the Parliamentarians suffered a shambolic defeat that so
enraged the newly appointed Oliver Cromwell that he created the New Model army – Britain’s first national army –
unified by discipline, uniforms, regulations, training and command.
By June 1645, they were ready to take on the Royalists at Naseby, near Northampton.This they did, with Cromwell
commanding a decisive cavalry charge, recreated here with cutting-edge graphics. It ensured the defeat of the King,
who fled from the battlefield. Within four years Charles I had been captured and executed. No British monarch ever
again dared to attain absolute power.
To get to grips with the skills needed in a cavalry charge, Peter and Dan spend a day with the mounted soldiers of
the King’s Troop to try their hand at modern-style swordplay, swapping horses for motorbikes...
Battle of the Boyne - Presenters Dan and Peter Snow bring to life a conflict that lies at the heart of Irish history: the Battle of the Boyne.
They piece together the chain of events that led to the largest battle ever to take place in Ireland and, with the latest
computer graphics, recreate the scene as the opposing sides fought it out by the water’s edge.
By 1688, Roman Catholic King James II had so alienated the Protestant majority of England that they ousted him from
the Throne. At the request of Parliament,William Prince of Orange became king. James fled to his Catholic stronghold
– Ireland – and waited on the banks of the Boyne for William’s impending attack. It came on 1 July 1690.
Fighting for country and religion, the two sides were divided by more than just a rushing brook. What began as a
closely contested battle, with heroic bravery on both sides, descended into a rout. Peter recounts how, at each point
the Williamites crossed the Boyne, the Jacobites desperately tried to repel them. Meanwhile, to try to understand the
difficulties of the frontline troops, Dan tries crossing the river himself to see how they would have struggled to keep
their gunpowder dry.
Ultimately, the Jacobites couldn’t hold up against the opposing might of William’s troops. They fled south and, within
days, James was on a ship taking him to the protection of Catholic France. He died there, a broken man.
The Battle of the Boyne was the last to be fought between two rivals for the British crown but left a legacy that would
eventually lead to the last land battle on British soil, the battle of Culloden, 50 years later. More than three hundred
years later, William’s victory is still commemorated annually on 12 July by the Orange Order in Northern Ireland.
The Battle of Culloden - In 1746, the British throne was occupied by the Hanoverian George II. It was some 60 years since the last Stuart king,
James II, had been ousted at the Battle of the Boyne, and now James's grandson, Bonnie Prince Charlie, hoped to
restore his family to the throne. Peter and Dan Snow follow Bonnie Prince Charlie’s tracks as he marched his Jacobite
rebel army from Scotland all the way into England. London was virtually in his sights when, chased by the Redcoats
of the English Army, they were forced to turn back.The two forces finally came head-to-head on Culloden Moor., but
the exhausted and confused Jacobites were no match for the new flintlock muskets or cannon fire of the Redcoats.
The Battle of Culloden was Britain’s last land battle and arguably the bloodiest in Scottish history. Not only did the
Jacobite defeat end forever Bonnie Prince Charlie’s hopes of his family ascending the British throne, but for many years
to come it would have long-lasting impact on Scottish culture, religion and the clans’ relationship with the English
Government.
As Peter reveals just how close Prince Charlie came to victory, Dan Snow goes on a night march across the moors
to see what it must have been like for the Jacobite army without the aid of night-vision goggles, a map or even a
compass.
The Battle of Britain - In the summer of 1940, having occupied much of Western Europe, Germany now turned its attention to Britain.
Prime Minister Winston Churchill was adamant that his country would never surrender. With his famous “We shall
fight them on the beaches” speech, he rallied not only the troops, but also the entire nation.
In an attempt to cut off supplies and draw the Royal Air Force into battle, the Luftwaffe targeted the ports and ships.
It came to a climax in September when the English Channel became the battle ground for what was one of the most
important British battles of the 20th Century.
With 1,000 planes heading for Dover, the Luftwaffe was in a very strong position compared to the few hundred
planes piloted by the RAF. But the RAF had a secret weapon – Radio Direction Finding, or radar, as it is more
commonly known today. Peter explains the important role it played in helping to detect the German war planes and
how this, coupled with the cracking of the Enigma code – which enabled the interception of German
communications, gave Britain the upper hand.
Computer graphics reconstruct this momentous air battle, while Peter explains the strategy behind the attack, and
Dan takes part in a high-speed manoeuvre to see what physiological effects the fighter pilots had to combat even
before they faced the enemy.
BAFTA® Awards
2005 - Best Visual Effects
“Utterly rewarding ... By far and away the best history series on British television to date.” -Observer
“...the best history series on television .... Peter and Dan Snow have put together an excellent series that expands on some of the most memorable dates in history. “ -Sunday Express
“...a consistently excellent series ... gripping, intelligent, and the benchmark against which popular history television must now be measured ... What sets Battlefield Britain apart from its contemporaries is not so much that it has pioneered groundbreaking techniques, but that it manages to combine current technology with classic historical documentary-making to such great effect. In a manner bound to appeal to younger viewers (but in no sense guilty of dumbing down) the show has the feel of a very slick, well-edited website, with the exemplary presenting skills of Peter and Dan Snow firmly at the helm.” -Observer
“This is history brought alive in glorious, bombastic, cinéma vérité.” -The Times
“...a wizard series...” -Sunday Times
“The superlative history series presented by father-and-son team Peter and Dan Snow continues to go from strength to strength.”- Observer
“Peter Snow is a born educator, so while he and his son Dan's qualifications to present a history series might not have been immediately apparent, Battlefield Britain has turned out to be charmingly compelling viewing.”
-Sunday Times
“It's miles more entertaining than most such programmes, and you won't see boring academics in jumpers pontificating about the price of mediaeval fish, or Sealed Knot-style re-enactments ... Peter talks us through all manner of whizzy computer-graphics effects ... Snow's enthusiasm is infectious ... while Dan wanders around in a clanky suit of armour and explains the horrible things weapons can do.”- London Evening Standard
“History has never been so much fun as it is in this energetic new series ... Both presenters are superb communicators, but they are helped considerably by a fine team of actors ... Some very clever computer graphics help us visualise the battle.” -Observer
“...there can be no question that the technology has had a glorious effect on history shows. In the hands of Peter Snow, military maps now spring alive to elucidate tactics with an energy that no explanatory commentary could have hoped to capture.” -Sunday Times
“Much has been made of the cleverness of the computer graphics in this series, but it is the human beings that really make it work ... Also underestimated in this series are the convincing actors who 'improvise about real events', talking for once like real people as they take on the roles of opponents on both sides. Finally, for all the boyish excitement that our presenters clearly feel as they discuss battle tactics, the human misery of warfare is never forgotten.”
-Observer