Starring: Miranda Richardson , Tom Hollander , Gina McKee
Directed by: Stephen Poliakoff
Produced by: John Chapman
Written by: Stephen Poliakoff
Diagnosed as an epileptic and suffering from autistic-like learning difficulties, the powerful performance of Daniel Williams as Prince John reveals how the heir became increasingly isolated from his royal family.
Item Number: 12863
The little-known story of Prince John, the youngest child of George V and Queen Mary, whose short life spanned one of the most momentous periods in history - the political build-up to the First World War and the machinations of European royalty in the early part of the 20th Century. This drama tells the very human story of a unique family and an extraordinary boy. Diagnosed as an epileptic, and suffering from autistic-like learning difficulties, Prince John was unable to participate in public life and became increasingly isolated from his family. This visually stunning and richly stimulating landmark drama recounts his life, from the struggles of growing up in the most unconventional circumstances, to the strength he drew from the unfailing support of his devoted Nanny.
| Queen Mary | --- | Miranda Richardson |
| Lalla | --- | Gina McKee |
| Edward VII | --- | Michael Gambon |
| Stamfordham | --- | Bill Nighy |
| George V | --- | Tom Hollander |
| Queen Alexandra | --- | Bibi Andersson |
| Asquith | --- | Frank Finlay |
| Mr Hansell | --- | John Sessions |
| Fred | --- | David Westhead |
| Lloyd George | --- | Ron Cook |
| Tsarina Alexandra | --- | Ingeborga Dapkunaite |
| Young Johnnie | --- | Daniel Williams |
| Johnnie | --- | Matthew Thomas |
| Young Georgie | --- | Brock Everitt-Elwick |
| Georgie | --- | Rollo Weeks |
| Kaiser Wilhelm | --- | David Barrass |
| Tsar Nicholas | --- | Ivan Marevich |
| Callender | --- | Graham Crowden |
| Dr Hetherington | --- | Jonathan Coy |
| Dr Longhurst | --- | John Rowe |
| Fine Looking Woman | --- | Fritha Goodey |
| Knutsford | --- | Nicholas Palliser |
| Olga | --- | Vanessa Ackerman |
| Maria | --- | Nastya Razduhova |
| Anastasia | --- | Algina Lipskyte |
| Tatiana | --- | Holly Boyd |
| Suffragette | --- | Henrietta Voigts |
| Young Mary | --- | Mary Nighy |
| May | --- | Kate Manning |
| David | --- | Dominic Colenso |
| Lady In Waiting | --- | Maggie McCourt |
| Fat Mary | --- | Roz McCutcheon |
| Russell | --- | Joe Sowerbutts |
| Doctor | --- | Robert Swann |
| Violinist | --- | Martin Wimbush |
| Orderly | --- | Paul Brennen |
| Admiral | --- | Andrew Hilton |
| General | --- | Neil Stacy |
| Lady Warrinder | --- | Suzanne Burden |
Written by Stephen Poliakoff
Directoed by Stephen Poliakoff
Produced by John Chapman
Music by Adrian Johnston
Executive Produced by Peter Fincham, Joanna Beresford , David M Thompson, Rebecca Eaton
EMMY Awards®
2005 - Primetime Award: Outstanding Miniseries
2005 - Creative Arts Award: Outstanding Costumes For A Miniseries, Movie Or A Special
2005 - Creative Arts Award: Outstanding Art Direction for A Miniseries or Movie
BAFTA® Awards
2004 - Best Production Design
“It was all beautifully done ... the traumatic events
leading up to the First World War through a child’s eyes rendered it magical
and dreamlike.True to a child’s view, it did not concentrate on details that
are important to adults, but on vivid wordless glimpses often through
half-opened doors. It was a blissful succession of opulently composed images
... a masterpiece.”- Daily Telegraph
“Outstanding ... Not since LP Hartley’s achingly sad novel The Go-Between have
I encountered a more moving elegy for the Edwardian age than Stephen Poliakoff
’s The Lost Prince ... I wanted it to go on and on.” -Daily Mail
“Outstanding drama of the week ... a visually breathtaking piece of work (with
stunning lighting) and a desperately sad story ... Faultless television.” -Mail
on Sunday
“Great dramas never make comfortable viewing. The Lost Prince is indeed great,
though many will find it difficult and unsettling to watch. I did at some
points but it was also very involving ... It has become almost commonplace to
praise the quality of BBC period drama but The Lost Prince captures splendidly
the minutiae of the late Edwardian period.” -Sunday Express
“I’m completely seduced ... The Lost Prince was many successful things, but
most obviously it was awesomely lovely to look at. Indeed, some shots were so
gorgeous I had consciously to slow down my breathing to avoid being overcome by
a fit of the vapours like those tourists who used to pass out in front of the
Caravaggios in the Uffizi, hyperventilating in the presence of beauty ...
Absolute majesty.” Observer
“A rare treat – haunting, memorable, delicate, satisfying.” Independent on
Sunday “...this is one of the winter season’s landmark TV dramas.” –Sunday
Express
“...more than fulfilling its potential as a prestige, upmarket project in
BBC1's drama portfolio.” –Guardian
“...superb ... thoroughly absorbing television.” -Daily Mail
“Poliakoff ... in recent years has been a dependable kitemark of intelligently
suggestive drama.” Independent “The BBC really did have something to boast
about.”- Daily Telegraph
“...breathtaking... The Lost Prince had "event television" written
all over it: a quality cast (Michael Gambon, Miranda Richardson), a huge budget
and a scandalous royal storyline ... it was here, in the child's fractured view
of a fragmenting world, that Poliakoff really hit on something. It should also
be mentioned that he elicited two of the bestever juvenile performances from
his two Johnnies, Daniel Williams and Matthew Thomas.”- Guardian
“...magnificent...”- Daily Mail
“It’s far too early to be predicting the best dramas of 2003, but Stephen
Poliakoff ’s two-part profile of the Queen’s uncle, Prince John, will surely be
a contender ... it not only looks stunning ... the acting is just as
mesmerising ... Seeing events from the prince’s perspective makes this a deeply
moving, often very funny take on royal life ... above all, though, it’s an
enthralling look at England as the First World War threatens the European
order, seen through a half-open door.” -Sunday Telegraph
“The first world war raged, the new House of Windsor was all aquiver and Gina
McKee and Miranda Richardson battled it out in the bid for a BAFTA nomination:
The Lost Prince grew into a proper TV epic...” –Guardian
“Haunting ... the portrayal of his unhappy life is chilling in its accuracy.”-
Daily Mail
“Even by the standards of BBC costume drama, [it] looks magnificent. Like the
wide-eyed Johnnie, we gawp at the extravagance of the Edwardians, where red
carpets are unfurled on the beach and an enormous birthday cake has a goldfish
bowl (complete with fish) between each tier.” -Sunday Times
“Everything looked wonderful, the acting was of a uniformly high standard and
there were very clever touches dotted throughout.” -Sunday Telegraph
“...stunning photography...” -Guardian Guide
“...sumptuous ... exquisitely shot.” -Sunday Times
“...sumptuous ... mesmerising...” -Sunday Telegraph
“...lovingly shot, superbly acted...” -People